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Friday, September 10, 2010
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Belgium’s Post Loses Horn, Caps

There are no translations available.

OPINION BY ARMIN


bpost Logo, Before and After

Originally established in 1830 as Les Postes, the postal service of Belgium has grown to be its second largest employer, and since 1992 it has been known as simply De Poste-La Poste (“The Post” in Dutch and French). In 2006, Post Danmark and CVC Capital Partners acquired a minority ownership (at 49.9%) from the state, and beginning in January 2011, the post service will become a private company and be released from control by the state. Last month a new name, the all lowercase bpost, and identity, designed by Interbrand, were introduced.

 

bpost

“The new name conveys our two basic characteristics,” explains Johnny Thijs. “We are and will remain a postal company, and we have and will maintain strong roots in our home market. We now also have one single name, which will differentiate us internationally.”
— Press Release

bpost

“The new brand expression for bpost perfectly combines the provenance and high recognition of a heritage brand, with added emotion and dynamism way above that which is currently represented in the logistics sector,” says Andy Payne, Global Creative Director of Interbrand. “Currently the sector’s national brands are full of expressions of trust and heritage—horns, crests and national colors. The international players work on expressions of speed, coverage and efficiency. The next step for the sector is to move beyond motion to emotion—focusing on relationship building and getting closer to understanding businesses and their needs by leveraging the latest technology available.”
— Interbrand Press Release

I understand why logos go for lowercase appeal, but an organization like a post service adopting its official name in lowercase seems awfully useless and unprofessional, even something more trendy like bPost would help it stand out in written communications. The new logo is also rather odd, now an abstraction of the previous abstraction of a horn — an abstraction that is well known and often used. As a tilted, half-target the new logo is devoid of much meaning although the one positive thing I can say about it is that, if you squint, it still looks like the old logo, so it does retain some of the visual equity. The bpost typography is a tad dull. In application, like the livery (and here is a video where you can see a pretty bike), the blown-up logo starts to look interesting and create a recognizable look.

bpost

bpost

Brazil Mishandles 2014 World Cup Logo

There are no translations available.

OPINION BY ARMIN


World Cup Logo, Before and After

With the World Cup over and the sound of the vuvuzelas now just a distant echo, it’s only a matter of four years before the world becomes enthralled with futbol once again and for Americans to pretend they like it. In the meantime, we can all look forward to the 2014 FIFA World Cup in Brazil by enjoying the officially released emblem, designed by Brazilian agency Africa, after 25 agencies were invited to submit proposals and be judged by Brazilian Football Confederation chairman Ricardo Teixeira, FIFA executive secretary Jérôme Valcke, supermodel Gisele Bündchen, architect Oscar Niemeyer, writer Paulo Coelho, singer Ivete Sangalo, and designer Hans Donner. The logo was unveiled last week in Johannesburg.

 

The winning design was “Inspiration”, created by Brazilian agency Africa. The design stems from an iconic photograph of three victorious hands together raising the world’s most famous trophy. As well as depicting the humanitarian notion of hands interlinking, the portrayal of the hands is also symbolic of the yellow and green of Brazil warmly welcoming the world to their country.
— Press Release

Most commentary of the new logo has been negative since it was first “leaked” in late May after FIFA registered the logo with OHIM, the Trade Marks and Designs Registration Office of the European Union. Most critics are right in that the logo is crude in its execution, so I may one of the sole voices that finds something fresh about it, or at least the concept behind it. Building the trophy out of hands embracing it is a great depiction of the spirit of the World Cup, but the execution here is heavily lacking; the “style” is right, something natural and exaggerated, but it probably needs to be in the hands (pun!) of a more masterful illustrator. The same could be said of the “Brasil” lettering, it’s almost there but a little too unrefined.

However, if four years ago we had shown you the 2010 World Cup logo, everyone would have probably hated it, but after experiencing the contagious excitement of the World Cup, the logo becomes a representation of that and we forget how good or bad it may be in execution.

THANKS TO MAURICIO FONTINELE FOR FIRST TIP.

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